THE SERENDIPITY OF CREATIVITY

Creating jewelry is a very satisfying process for me. I find it a very enjoyable way to spend my time, losing myself in the creative process. I lose track of time with favorite tunes on for hours and hours as I "work"

Because almost every one of my pieces is a one of a kind unique creation, each one is also an experiment. I experiment with materials, design elements, textures and colors, and most of all, techniques of fabrication.

I make all of my works from scratch. Aside from some earring wires recently, i do not purchase pre-made components and put them together. I fabricate all of the parts of the pieces I make from scratch; everything from finding and cutting and polishing the stones/ materials to cutting melting, forging, milling, rolling and shaping the silver and gold. I find this to be very satisfying as none of my parts are standard sizes or shapes, everything comes from the creative process of dreaming of something and then manifesting it in the "real" world.

Sometimes this process amazes me even more by surprising me with lucky accidents which later become useful as elements on other pieces or as new techniques of fabrication or assembling. Recently I had to devise my own way of attaching silver to brass since the two metals seemed to be incompatible for simply soldering them together.

My latest ring, the Full Moon ring really stunned me with its surprise gift. The ring began as a nice lump of recycled silver which i textured in the brief moments while it cooled. It revealed itself as slightly moonish and so I re-melted it and re-worked it till i was satisfied with its moon-likeness. I like to have a lot of content in my pieces at least while I work. I find it very satisfying, so i began to contemplate and remember moon symbolism.

. . . ahh, the full moon, a symbol both simple and complex, speaking of completion of cycle, abundance, and symbolic of the height of power, the peak of clarity, fullness and obtainment of desire . . . and lunacy. In alchemical teachings, the moon is ...a facet of Silver.

Instead of any of the previous forms of ring shanks i have crafted, it struck me that a nice design element could be added to the piece by the mirroring of the full moons circular shape in the band. This was a great way to integrate the main of the ring with the shank, allowing the shank to be more artful on top of being functional. I decided on two large circles with a smaller one in-between which when laid out measured the requisite length to create a size 7&1/2 ring shank, a safe "average" and very common ring size for women. What I found after creating this ring astounded me.

These circles when observed from the bottom appear as another full moon with a waxing crescent moon to the left and a waning crescent moon to the right!

(this photo was taken before i brush-finished the piece)

This was a completely serendipitous aspect of it's design, not an aspect i had intended, but an unforeseen aspect manifest in the form of my design. It blew me away. I wish i could say that i had intended it to be this way, however, i am completely satisfied, and a bit in awe, with the way it came to be.

Sometimes things just happen this way and i take great joy in it.


The moon of this ring is of brushed Sterling Silver with a modicum of patina for the craters and seas. This sits atop a found White Agate which is set in lightly brushed Sterling Silver bezel.

This ring is a size 7&1/2
Main Bezel and stone of this ring measure 1" x 3/4"

Orlin Helgoe's Visions of the Prairie

When you google the web for Orlin Helgoe, you don't come up with much. He's mentioned briefly by name a few times and, oh, there's an out of print book about him and his paintings . . . and there doesn't seem to be any copies available. It gets even worse when you search web images with his name, all you come up with is misleading photographs of other peoples paintings which would lead the unsuspecting investigator to have a very wrong picture of his work. To me, this is a shame.



Lucky for me, I live in Pueblo Colorado. Now, I haven't used that sentence an awful lot in my life, and I do not use it lightly in this instance. This is Orlin Helgoe's hometown and so there are clues about him to be found here. Many of his paintings are collected at the Sangre de Cristo Arts Center some of which are displayed through the year. The Pueblo City County Library District has a copy of the out of print book. There are other local artists living here who were students of Orlin Helgoe. His family and friends still live here.

The late Orlin Helgoe is known by some as "The Shaman of the Prairie." His work often depicts life and inspired moments on the prairie which he both loved to roam and paint. To me he was one who had absorbed the spirit of earth and sky, and took strength from the visions he recieved of the prairie. His powerful paintings exhibit that he was one who sought to pierce the veil between the seen and the unseen, to unify the outer landscape with the inner world.


His paintings are, well . . . full. Full of images and emotion and something else. Something they draw from the observer, elements which lead the mind of the beholder to translate, or fill in the blanks. Some of his paintings are close up shots of something, like the one of the dead deer he painted after killing his first and last deer on a hunt, or bleak landscapes with mysterious circles floating in the air, or some like the one these pictures come from which is an enormous painting depicting a scene which seems like a multiple exposure shot of several moments and perspectives at one level and then one finds that this multiplicity of scenes is comprised of many other smaller elements, smaller scenes and micro-mysteries.



When I found this stone the scene depicted in the picture jasper was instantly recognizable to me as Helgoe-esque. Although nowhere near as colorful or complex, it definitely reminded me of the elements in his work. When my subconscious mind sought to interperate the imagery of this stone it's only corroborating connection was "Helgoe." Here was a desert scene of mystery complete with the floating wheel within wheel orbs. No mistaking it, this piece was some kind of memorial to Helgoe and and the mystery of the wilderness of the local landscape. Were the stones speaking? Did they miss their lone wanderer? Did they miss the seeker of meaning and mystery, the "Shaman of the Prairie?"

Integration of Metal & Stone

I absolutely love being creative!

At times I find myself wondering and wandering around the studio looking at my materials. Things are arranged in a way which to the untrained eye might look chaotic. However, to be more accurate I would have to say it is a time-spanning chronicle, more of a testament to what is and has been of interest to me for the last several months.

Bits and pieces of stone large and small, found and oxidized metal parts, scavenged circuitboards, interesting and very old bits of glass bottles, sea glass, even sticks and wood scraps and old bits of burl lay about the large table I built for the shop. There are old watch parts, half made pieces of jewelry, stones already polished sitting next to custom bezel cups awaiting their setting, un-nameable iron fragments from machines and mineral composites from steel making processes, owl and turkey and finch feathers from recent hikes, sketches of pieces already manifest and pieces still in the sea of possibility.

Often when seeking some new inspiration I arrange stones in different positions, place them on top of one another, shift them around slide them over next to metal bits, looking for patterns of recognition on color compatibility or texture or composition. All of this process and analysis, to me, is felt and "seen" on a more instinctual level than those previous words let on or allude to.

According to the inner critics schedule, this is "Work" and can be thus seen to him if that is what he needs in the moment. That satisfies that "adult" and responsible part of me which is intent upon being efficient.

But to me, the real me, the little boy inside, this is merely playing, a natural pastime of exploration and creation.

During this sacred play time I often become aware of my subtle shifts of interest. Shifts in interest turn the compass for me and change the world I see. Soon I am sailing my ship in new directions to chains of small islands i have never been to but love.

On one of these islands I found a lovely integration of textured silver and amazingly textured stone. The rare bit of Hematite, reminding me much of the frog pond when it drys out toward the end of summer leaving only cracked mud, had an amazing texture. Unlike most Hematite you will find on the market, usually made into rings, this piece is not as dark and doesn't have the polishes black chrom-like aspect one usually sees. Instead this piece is a chocolate and more natural or organice color, a warm and rich darkness which alludes to it's story. history and ...mystery. This stone has been sitting in eyes-reach of me when in the studio for several years and has had this small orange Carnelian cabochon sitting atop it for nearly as long. I have often known these two would be mated, but it was still missing something.

For months and months now I have believed it was another stone, something which would pair up with this amazing stone and somehow compliment the things I see in the texture of the Hematite. But on this new island of creativity I realized that instead it would be I who creates that component of the piece through the fires of silversmithing and the esoteric arts of texturing and patination.

My work nearly always involves the integration of metal and stone, however this piece and the process in creating the front section for it takes it to a new level and a new field of play. I was able to experiment and create a texture process through amazingly simple methods (Using fire and stone and cedar wood grain and knot whorls) to create a piece which would refer back to the deep lines and sectioning found in this particularly interesting piece of Hematite.

The result is not only a very satisfying piece and a great sense of completion for a stone pairing which has been waiting years to be set and completed, but a confirmation that indeed my course of discovery and creativity lies in this direction for awhile ahead.

Inspiration Is Everywhere

"Sometimes you get shown the light/in the strangest of places if you look at it right."
-Robert Hunter/Jerry Garcia

Inspiration is everywhere!

Yes, as a jeweler it can come from checking out other jewelers art, but for an artist with an eye for the abstract, the microbiological and the organic miracles of life on planet earth i also often find paintings to be inspirational, giving me a sense or a feeling or triggering a memory associated with color or texture.

Periodic synesthesia and, as Rimbaud would put it " . . . a long derangement of the senses," can help the poet become a visionary for sure, but "sometimes you get shown the light/in the strangest of places if you look at it right."

Such as reading the Sunday paper.
In particular, the New York Times Book Review.

There has always been a love in me for the sweeping and feminine forms of classic cars, and those fins and often creative tail light placements capture my attention.

It's something that is missing from todays car designs. An it's something that I miss.

I have no idea what the inspiration was for car designers in the last 25 years, but it definately wasn't aerodynamics, the female form or even the contributions of the ever-phallic rocket ships.

Oh well . . . we still have classic cars and we still have the history of them captured on film.





This inspiration is still in it's initial experimental and embryonic design stage, but i have a feeling it will fruit something beautiful and modern with roots in the classic.

Corbitals

Wheels within wheels of Sterling Silver hoops and a red Coral sphere bisected with an ear wire axis of Sterling Silver. Simple yet as dynamic as any two planets trajectories.

LIKE PLANETS

Like planets,
we orbit a common source

sometimes
we range far out,
on our lonesome

at other times we come so close
. . . passing in the night
with the knowing glint of starshine

this silver flashing lining
so momentary in the velvety bed of night
a warm and welcome touchstone
of unity.

main hoops measure approximately 1"

Midnight Inspiration

The inspiration for these Sterling Silver and Coral earrings came to me at midnight. Not a typical tale for me, for you see, i am a night sleeper, a dreamer. But, alas, this particular night found me awake and restless. The heat of the day had subsided with a miraculous rainshower earlier, and so . . . out to the studio i go.

To get there i must step out onto the back deck, my feet feeling the rain wet wood. I step down into the garden, following the straw lined path now very cool and wet, nearly squishy to my bare feet. In the day i have to be mindful not to step upon any creature for the rolly-pollys and ants are busy moving from the garden across the concrete patio between the studio and the garden.

I do not put music on, but opt to listen to the music made by the wind in the trees. A cool night breeze this is which blows through making my tall carrot flowers sway sleepily. And as i sit to meditate for a moment and take in this nights present moment, i am filled with inspiration and begin to look through my materials and my silver to manifest this complex sense of the night . . .

. . . and these earrings "inspircoral" are born . . .

. . . there is something in them of the sacred circle, the path of planets, a cool night breeze and my neighbors backyard wind chimes...the striving of the life force in the sea...the transformation of extreme forces, met with grace and peace, a creation somewhere between allowing and dreaming...

The silver swerve and circle are free to rotate around the axis of the ear wire. The coral bead is free to spin.

Upcycled Innovations

Human kind are story tellers. From connecting the stars in the night sky to create images of our mythic understanding of the seasons and our own cyclic nature to the stories we tell through television and new media we express ourselves and our dreams, our fears and our hopes. The pendant pictured above is Sterling Silver and upcycled television circuit board material. Once finished and about to be given a name, i suddenly noticed that it has circuit solder points which reminded me of the constellation Orion. "Orionic" is the first in a series of upcycled creations using circuit boards. When i saw the broken television someone had dumped in a parking lot, i was immediately struck by the turquoise like hue of the circuit board. I didn't even think twice about harvesting one mans trash. The neo-primitive urban hunter gatherer in me took what i could use and cleaned up the rest of the mess. I remembered my fathers code of "Leave it cleaner than you found it." This bit of culture would come out when we arrived at the place we would camp after hiking through the Olympic Mountains and we would scour the immediate area for pop lids or any trash. These days i impart this "leave no trace" on to my children as well as emphasizing a lifestyle of recycling, precycling (making consumer choices which reduce the need to recycle, such as buying produce from a local farm instead of in a plastic bag or a can or jar), and upcycling (taking a piece of trash or found object and using it as a raw material in the creation of something of greater value). I am glad i have found this piece of circuit board, it feels like the perfect upcycling material to integrate into my work.